Susan Tepper tagged me
in a recent merry-blog-go-round about writing process, but having been tagged
by someone else I decided to come up with new questions and I thought it would
be interesting to ask writers about their characters. This came out of a discussion at FFC’s New and Emerging
Writers Group which focuses on the art and craft of writing. The discussion question, posed by Jim Harrington, FFC’s
Managing Editor, was, “How do you select character names?” I want to expand on
that, so here are some new questions for writers who want to play along. I’ll start with my own answers.
1). What surprises
you about your characters? And why?
I’m always surprised that they show up because I rarely
begin a story with a character in mind. Usually I begin with a situation and
then just GO. I suppose this means they
come out similar to me, especially if I start with a first person narrative and
that makes sense because the situation—if told from the “I” viewpoint usually
resembles something I’ve been through.
The third person pops up if the situation isn’t that close to home. I’m surprised I just admitted that.
2). What do you draw
upon to create your characters?
Of course as with most writers, I pull my characters from
myself, from people I know, and from people I observe, but rarely have I ever
consciously created a character from a single person. I remember one case where the character is
exactly like real life but the details are changed. Other than that, most of the time my
characters spring from what I know—or think I know—then evolve with the story
as I make decisions—or I’m led toward decisions. This is where it gets a little loopy, the
chicken and the egg syndrome.
3). Out of all of the
characters you’ve created, who is your favorite and why? Please name the story
and supply a link if that’s possible.
Right now it’s Abbie Palmer who is the main character of my suspense
novel, What
Came Before. She is a lot
like me in so many ways, but certainly she has been molded to fit the
story. There is a reason why I don’t do
memoir because my own life has been extremely ordinary and satisfying. This is
not what good drama is made of. Another
favorite who is alive now in Pure Slush’s 2014-A
Year in Stories anthologies is Sybil. She a landlady who has managed her life
fairly well but there’s something in her past that she’s dealing with, and her
ability to be everyone’s go-to person is slipping away.
4) Are there any characters
you are not quite done with yet? What
other challenges do you want to give him or her?
I have two published short-stories about Nikki Hyland,
Slacker Detective. I would like to write
a few more shorts or even a novel continuing to challenge her to get her
you-know-what together. Her first story
can be found in LandMarked
for Murder along with several other stories from members of the Los
Angeles chapter of Sisters-in-Crime.
5). How do you select
character names?
Sometimes names just pop into my mind and sometimes I
research, looking for subtly suggestive, as in the case of Sybil, the landlady
I mentioned before. I wanted her to have
an old fashioned name to suggest her age and her wisdom. I haven’t quite used this allusion to its
fullest yet and I may not. I don’t ever
want names to be obvious, but rather to hint at something deeper. This though
doesn’t always happen. Sometimes a name
is just a name.
2 comments:
I think you'll get a kick out of this:
http://injaynesworld.blogspot.com/2012/11/injaynesworld-tell-me-story_655.html
Sometimes a name is just a name ... like Freud and his pencil just being a pencil ... or was that someone else who said that?
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