by Jayne
Martin
Starting in 1977, and for nearly 30 years
thereafter, I worked as a writer of two-hour movies for television. “Two hours”
is a misnomer as the actual screen time of the movie itself is, in fact, only
93 minutes. A writer has a lot to pack into a very small package and it is the
discipline required to do so that has aided me in my transition to flash.
The script is structured in seven acts to
accommodate six commercial breaks. Each act averages about 13 pages, more for
Act One (15 to 18), less for Act Seven (8 to 9), and must end on an escalating
dramatic moment to bring the audience back after the commercials. The end of
Act Three needs to be a whopper because that’s your one-hour break; the time an
audience is most likely to change the channel. The end of Act Six is the big
reveal; i.e. we know who “did it,” and in Act Seven you wrap things up and get
the hell out of Dodge. Sounds like an algebra equation, doesn’t it? But here’s
where the tie-in to flash comes, at least for me.
Within each act of a TV movie can be any number of
scenes, but few run longer than three pages, with most a page to a
page-and-a-half. Tiny self-contained stories, they are the building blocks of
the movie and, just as in flash, each must address character development,
pacing, a dramatic arc, and a resolution that leaves the viewer yearning for
more.
I wrote my last TV-movie in 2004. With the
increase of reality shows nudging out the genre there were more writers vying
for fewer jobs and, frankly, I was a bit fried by then. Between 2004 and 2009,
I wrote nothing, nada, zip. Having never written anything but scripts, I was at
a loss as to what to do next. Then I fell and broke my neck. Lucky me! Something
to write about! And so my blog, injaynesworld-where nothing is sacred, was born.
Fast forward. After a couple of years of dipping
my digital quill into the writing of prose, mostly in the form of humor essays,
I came across a website called “Five Sentence Fiction.” A one-word prompt was posted
each week and you had only five sentences to complete your story. This was long
before I had ever heard the term “flash fiction.” My first attempt was in
response to the prompt “shirt.” That became my story “Gone,” which would turn
out to also become my first published piece when it was accepted by Boston Literary Magazine several years
later for their fall 2014 issue.
By then I had written maybe 40 of these tiny tales
and realized why I had such an affinity for them. Many of the same disciplines
I learned from writing TV movie scenes also apply to flash:
- Enter the story at the latest possible moment
- Use action (either internal or external) to move the story forward
- Cut any extraneous bullshit
- Leave them wanting more
This is a fairly simplistic list, but the
correlation for me could not have been clearer.
Today I write primarily micro-flash. Rarely will
you read a story of mine that is over 300 words, with most well below the
200-word mark. The writing of flash fiction seeks to create its own
fully-realized world within the confines of limited space and, for me, the
tinier I can make that space, the happier I am.
Poster Boy
A shiny, new tricycle on the sidewalk, abandoned.A single blue sneaker just inches from the curb.From the house, a mother calls: “Tommy, supper!”
Jayne Martin’s work has appeared or is forthcoming in Boston Literary Magazine, Pure Slush,
Midwestern Gothic, Blink Ink, Literary Orphans and Hippocampus Magazine. Her book of humor essays, Suitable forGiving: A Collection of Wit with a Side of Wry, is available on Amazon and
Barnes & Noble. Previously a writer
of movies-for-television, her credits include Big Spender, for Animal Planet
and A Child Too Many for Lifetime. She lives in a rural valley near Santa
Barbara, California, where she indulges her passion for horses and fine wines,
and can be found on the web at http://injaynesworld.blogspot.com.
Purchase Big Spender written by Jayne Martin at Amazon
6 comments:
This is terrific! Thanks Jayne for your insights and Gay this is a wonderful feature. I look forward to more!
Jayne knows from where (whence?) she speaks. This was so interesting and her flash tips are right on the mark. Thanks for posting this, Gay.
I'd never thought of watching a movie this way and your own journey is fascinating. Thanks.
Jayne! Loved reading this. Your writing journey is inspiring, and reminds me that we are at our best when we write what we love.
Your perspective as a micro writer from scriptwriting, Jayne, is fascinating. I loved reading this.
This is terrific! I think screen writing is a great skill for all writers to learn. Love Jayne's points about starting late, etc. Loved it! Thanks Jayne and thanks Gay!
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