Saturday, January 04, 2014

Beyond the First Goal

When we are new at something, sometimes all we can think about is that first goal.  Learning to roller skate (blade!) doesn’t look that hard.  If  we can stay upright, feet on the sidewalk, body vertical, we’ll soon be doing figure eights and sailing backwards. The same goes for writing.  When we sit down at the keyboard to write a story, we figure if  we can get enough words on the screen, we’ll have a tale worth telling. 
In some ways, we need this attitude to get started.  If we knew we’d fall on our asses for the first twelve times we skated over a twig, a crack, our sister’s Barbie doll, we probably wouldn’t try.  We need that initial belief in ourselves to put the skates on in the first place.  The same is true for writing.  We picture ourselves  clacking away at the computer keys with lines of type building and building.  It is the only way to deal with our initial fear.
However, how we handle the results of those first attempts can dictate success or failure.  For many, a bruised butt and bloodied knees spell defeat.  “I don’t want to do this!  This is too hard” and they head inside to watch Saturday morning cartoons.  Others wear their scabs like badges of honor and take a moment to reassess their goals.  They realize they can’t jump from standing upright on skates to skimming down Devil Hill, carving eights in the liquor store parking lot, floating backward to the awe of the younger kids without blood and guts.
The same is true with writing.  Although there are those who have a natural talent for the written word can sit down and write it without too much angst.  But these are rare cases.  Most of us may write a story that has many strong elements, but as a whole it doesn’t work.  Not yet.  And we need to reassess and learn the craft.
This is the make-or-break moment for most writers, the moment of looking at a piece of writing as it might be read by others, readers who do not live in the head of that writer.  The ability to look at one’s own work with a critical eye does not come easily.  It is a skill that is learned with practice, patience, and awareness of what works and what doesn’t.  An expertise that evolves over time. 
Just as a young roller skater learns the sidewalk is smoother than asphalt, a writer learns clarity is more important that an obscure turn of phrase, but to do this, both must be willing to see beyond their first goals.  They must accept the reality that becoming good at something requires the understanding that learning is a process, that the large goal must be broken down into smaller goals because everything is more complex than we first perceive. 
There is a difference in skating and writing.  We teach different muscles to work harmoniously together.  In skating we train our bodies and our brain too, but most it’s about legs and balance and reaction.  In writing we train our brains–and our hearts. 
How do we train our brains to write?  We set up mini-goals, lots of them, beyond our first goal.  Here are a few I believe in, though sometimes I find it hard to actually do them all!
Mini-Goals for Each Story
  • Create content by taking notes, brain-storming, writing a “shit” draft
  • Write a draft
  • Do research to understand the world you’ve created or the personalities
  • Think about story structure
  • Make certain everything in a story serves a purpose (especially in flash)
  • Be willing to delete that which doesn’t fit into the structure
  • Go through the story to improve the language
  • Make certain everything that needs to be clear is clear
  • Make certain that verbs are active, that nouns are specific
  • Proof-read carefully
  • Set it aside (this is one of the hardest mini-goals because usually at this stage we are sooooooo excited about what we’ve created, we can’t wait to send it out)
  • Reread and make changes after it’s been set aside
  • Ask a trusted reader to read it (trusted: gentle, supportive, yet honest, honest, honest)
  • Decide what notes you agree with and what you don’t and make edits
  • Set aside again, at least an hour or two so that when you proof-read for the final time, you have enough distance to find now what your eye skipped over before
  • Send out and cross fingers
Mini-Goals for Personal Growth
  • Read widely and deeply
  • Talk to others about writing
  • Be open-minded
  • Try new genres
  • Be a mentor
 None of this is necessary if a writer is writing only for himself.   Just as skating up and down the block might make one child happy, putting together a story for fun can work for the “Sunday author.”  But if your goal is roller-derby, you’d better to be willing to work.  And if you want to be published?  Guess what…

This article was first published at Flash Fiction Chronicles on November 22, 2009

Thursday, January 02, 2014

HAPPY NEW YEAR 2014 and some tidbits you might be interested in!


 INNOVATIVE READING

I'm participating in a writing project with 30 other writers. This is the brainchild of Matt Potter at Pure Slush out of Australia and involves each of us writing a story for one day a month for all the days of 2014.  

I picked the 19th of each month since my birthday is the 19th of March (St. Joseph's Feast Day and the day the swallows return to Capistrano and now "a very special episode" in 2014 Volume 3). The umbrella title for my twelve stories is "The Old Road," but each one is a separate piece about people who live in this particular neighborhood on the edge of a small city.  

Matt's idea is that readers will read each story on the day it is supposed to have occurred as written by the author.  All stories are told in the present tense to enhance the feeling the action is taking place RIGHT NOW.  

Some of the writers are making the experience more interactive.  For example, below you will find a link  to Stephen V. Ramey's blog,  Ramey Writes, where he intends to discuss each story on the day it is published.  Discussions to ensue!!!  For a taste of Guilie Castillo Oriard's work for January 1, "The Miracle of Small Things." 

I have a Pinterest page where you can find my research and inspiration for the stories I'm writing.  You can find this HERE. Other writers will be doing similar things to make this a fun experience.

To participate, you will need to purchase either the print volume for each month or an ebook. Worth the price to go on this reading adventure. 

If you want to challenge yourself to read the stories, the link to buy the ebook is HERE
For Kindle, go HERE
For print (and these are gorgeous books!), go HERE
For free shipping on print, use this time-limited code: SHIPSHAPE14

THE NOVEL IS STILL ON ITS WAY

I confess I've been holiday-hazed. Exact date for What Came Before is unknown (blame the vagaries of my current life), but coming soon, out in time for AWP in Seattle at the end of February, but hopefully on-line sooner.  Camille Gooderham-Campbell and I are busily doing edits and proof-reading the text. I have a Pinterest Board for this too, HERE.

Sunday, December 22, 2013

'Tis More Blessed Giveaway Contenders & WINNERS

Here is a  list of those eligible for the 'Tis More Blessed Giveaway organized by Milo James Fowler.

Stephen Ramey
Linda Manning
Milo James Fowler
Cliff Garstang
Kristy Gillespie
Diane Aurit
Sean Bennick
Katherine Lopez
Glenn Landry
Mia Avramut
Gary Hardaway
T.L. Gray
George Wells

Since I had thirteen entries, I'm giving away two copies of Pomegranate Stories!!!

The winners are, selected from a hat, Linda Manning and T.L. Gray!!!

Please send me your address either by Facebook Message or via email: gaydegani@yahoo.com.

Thursday, December 19, 2013

'Tis More Blessed Giveaway - Pomegranate Stories

Just a note that I'm participating in the " 'Tis More Blessed" giveaway sponsored by Milo James Fowler so if you enter you may in a copy of Pomegranate Stories.  I haven't actually figured out how this works!!!  I think it has to do with a helicopter but I don't know how to set it up this late in the game. Sooooooooooo.... If you enter and want my book and can't figure out how to do it through the helicopter thing, just put your name in the comments section and I will have a drawing on the 20th.

My brain is like the rotor of a helicopter at full speed right now and I've got people yakking at me as I type this so please please please put your name down below and I will send the winner a copy of Pomegranate and if over ten people  enter, I will select a second winner, and if over thirty people enter, I will select a third winner.  So enter enter enter.  And as I bonus I will choose one winner (a fourth winner) to receive my new suspense novel, What Came Before, in February.

Monday, December 16, 2013

Serendipitous Flash Fiction Day

I've been busy this morning trying to keep up with all that's out there in the Flash Fiction internet world.  Phew!  A lot is going on.

First up is the December Quarterly issue of Smokelong #42!  And it's just like opening a great big holiday present!  Authors and stories this time around include Caren Beilin'sPortrait of a Writer I Remember as a Young Masturbator, Craig Buchner's Masters of Matchsticks, Michael Chaney's As If a Bestiary Had Wings, Michael Czyzniejewski's The Meat Sweats, Matthew Dexter's Preemie, Kate Folk's Summer of Pinbugs, Rosie Forrest's Next Rest Stop, Twenty-Two Miles, Brendan Gauthier's Freckles, Megan Giddings's Twenty-Five Minute Wait, Jason Jackson's Queuing, Photographs, Morning Eyes, Alisha Karabinus's Everything in This House Is Crooked, Rebecca King's Lot's Wife, Adam Peterson's When You Look for Us, I'll Be Here, Heather Rounds's If You Find an Infant Squirrel, Peter Schumacher's Habits, Nicole Simonsen's How to Write a Hardship Letter, Ashley Strosnider's The Low Hum of Vegetation, Jacqueline Vogtman's Whose Voice We Wanted to Hear, and finally Allison Williams's Śūnyatā.  

My interview with Matthew Dexter is HERE.
My interview with Kate Folk is HERE.
My interview with Rose Forrest is HERE.
My interview with Alisha Karabinus is HERE.

Second up: "Why I Write Flash Fiction" essay up at FFC.  Lastly I have an article up at Flash Fiction Chronicles about why I write flash where I once again call up the reportage of Malcolm Gladwell.  Check it out, leave a comment, share with gazillions. Find the article HERE.


Third: Nonnie Augustine's book has been selected by Kirkus Reviews as a BEST BOOK OF 2013!!!!  Nonnie's book isn't flash, but she's a flasher nonetheless or should I say, Nonnietheless? Here's some LINKAGE and here's what Kirkus has to say:

"Like a well-wrought memoir, this medley of free- and fixed-verse poems combines vivid personal narrative with probing self-reflection...Poetry that often transcends its own bounds, spilling over into readers’ lives and forcing them to confront their own narratives."


Here's a sense of her language: “I almost saw Nessie,” “I almost won the jackpot,” and “I almost had a child. / She was there in my womb / until chromosomes killed her. / My God, that would have been something.” Among the losses, though, it “appears gone for good are dramas and bothers, / threats and therapists, drunk, needy lovers. / And…lovely, lovely, lovely is my cat’s furry belly.”





Monday, December 09, 2013

Folly Blaine reads "Beyond the Curve"

A few years ago, "Beyond the Curve" won a quarterly short story contest on-line.  Sponsored by Women on Writing (WOW!) every quarter, this competition offers a unique option to aspiring writers because submissions are limited to 300 and judged by literary agents, making it doubly cool.  The entire site is a great place to find articles on writing such as Brenda Hill's "Write What You Know: Sage Advice or Hogwash?" as well as links to other writers, classes, and contests.

Here's "Beyond the Curve," the story that gave me the confidence to keep writing when I was just starting to find my voice.  Voiced here by the wonderful Folly Blaine: 


Monday, November 18, 2013

Folly Blaine reads "Something About LA" Right Here

How lucky I am to have come across the wonderful Folly Blaine.  She's the podcast editor over at Every Day Fiction and records stories there.  She's also "for hire" if any one is interested. I commissioned her to produce three of my stories for my blog spot since I've been so busy I have been woefully negligent. Since my suspense novel, What Came Before, will be coming out in various formats in early January, I also figure if I'm going to try and do this right, I need to start stirring up interest so some of you out there will give it a look.  So here's Folly's reading of "Somewhere in LA."  This is the story that won The Glass Woman Prize for 2011.  Thanks you, Beatte Siggriddaughter.




To find out more about Folly, check out her very entertaining blog, Maybe It Was the Moonshine:  HERE.

Wednesday, September 11, 2013

9/11

Our family has gone to the White Mountains of Arizona for almost thirty years, taking our two small children strapped into the saddle in front of us up rocky mountains, into canyons, across meadows strewn with wild flowers such as purple penstemon, yellow Mexican hat, spirals of "cowboy toilet paper." It's been a respite for us from the crazy rest of the world, but in 2001, not long after we returned to the traffic and noise of L.A, the twin towers of the World Trade Center  in New York were hit by two hi-jacked airplanes.  In Washington D.C, the Pentagon took another hit, and somewhere in the green fields of Pennsylvania, passengers overtook the terrorists whose target was most likely the Capitol or the White House and died in the fiery crash that resulted from their bravery.

We have never been the same.  

Yet every summer, we've packed up our truck and headed east across the desert to the ranch and found the monsoons helped to heal, the cool evenings, balm to our souls.  As individuals, we were lucky to have such a sanctuary, as Americans we had thousands to mourn. 

We met dozens of people over the years at the ranch, strangers on Sunday night, boon companions by week's end.  For us, seeing Marty and George Rozelle when we drove up the dusty road and parked our car by the main house, was always a delightful surprise because returning guests didn't always return the same week. When they did, it was sweetness to enjoy each day of the week. These two, George with his booming sense of humor, his intelligence, his kindness, and Marty who matches him point for point, added so much to our annual visits, they became family too.  

George passed away in 2008, but he left so much of himself behind.  Last night, to honor the losses we have all suffered as individuals, as friends and families, and as a nation, Marty sent out a poem George wrote in the aftermath of 9/11. With her permission,  I'm sharing it with you.


AND THEN

They hit us hard and at home
Lives were lost and buildings destroyed
Smoke, debris, vivid pictures saturated our senses
Shock, fear and anger filled our hearts and minds
And then,

Public servants and people from all walks of life
Performed heroic acts
Rescue and recovery efforts produced
Both miracles and anguish
And then,

We came together as a nation
Reflecting on our lives and values
Families grew stronger
Strangers became friends
And then,

Time passed and old habits returned
Compassion, concern, courtesy, civility
Slowly gave way and once again
Us became me, we became I
And then,

It is now
As we stop to remember and seek meaning
Let us re-dedicate ourselves to
Being a nation of caring, considerate individuals
And then,

We will truly honor the memory of those lost.


George F. Rozelle 
September 11, 2002

Tuesday, August 20, 2013

Contract Signed for WHAT CAME BEFORE

Like so many writers around the net, I do have a novel and this one has been a long-time coming.  It will be out in late 2013 by Every Day Publishing, thanks to editor Camille Gooderham Campbell.

What Came Before is the story of Abbie Palmer, a woman who has repressed her childhood memories to live a "normal life," but when she learns the secret of her movie star-mother's past, she must face her own demons to understand what came before.

I'm working hard to revise, edit, and proof this project which has been close to my heart for a very long time.


Monday, July 22, 2013

Podcast Library of Stories: MINE!!!

Today at Every Day Fiction, I do "Stephen King." Think "pie-eating contest." It's a five minute listen. Read by the fabulous Folly Blaine.

http://www.everydayfiction.com/podcast-edf127-soggy-sandy-by-gay-degani-read-by-folly-blaine/


The fun thing is I just realized that my podcast library of stories is growing.  Here are some other quck listens if you have the time and inclination.

FLASH FLOOD, read by Folly Blaine
ORANGES, read by Folly Blaine
THE BREACH, read by Robert C. Eccles
THE LONDON EYE, read by Michael Sherlock


Wednesday, June 26, 2013

Lots happening lately.  

Catherine the Great's Untold Stories!


Out today is Catherine refracted from Pure Slush. Here's the tagline: 

The unofficial unofficial biography! 19 salacious stories that delve deeper into the true life of Catherine the Great ... and where no one has gone before! With Susan Tepper, Andrew Stancek, Sarah Collie, Joyce Juzwik, L. S. Johnson, Todd McKie, Dusty-Anne Rhodes, Christine Tolley, Robert Mangeot, Stephen V. Stephen V Ramey, Gill Hoffs, Anne Scott, Kim Conklin Hutchinson, Claudia Bierschenk, Juliet Beckman Hubbell, Matt Potter, Mira Desai, and me.


From "
The Cossack Ultimatum"  by me. 


The steward closed the door firmly behind her. She hurried to her chair, tossed her needlework to the floor, and sat down. “I have a plan.”

Read me on your iPad!

I've just discovered a new site which puts short stories in an app so that they can be read online via all those magic devises like cell phones, iPads, etc.  It's called Ether Books Mobile.  Here's the link: http://writers.etherbooks.com/Default.aspx.  

 I have a piece that is up now called "Heading to Perdition" previously seen at K. C. Ball's 10Flash.  You need to download the app itself to read it via iTunes or Google. 
 You flip the pages like real pages.  I've never seen that before.  Anyway, I'm using it to publish the stories that were printed in mags that no longer publish and there are no archives.   And I'm taking the opportunity to revise them.  So the first one up is Heading to Perdition from 10Flash.  You have to download the app and then go to discover.  Here's the ether site link and info about the story. About "Heading to Perdition."

If you have time, please check it out and give me a review.  Even it you don't care for the story, tell it like it is. 



Tuesday, June 18, 2013

My FaceBook Digest

I realized today as I was visiting my FaceBook groups that I leave a lot of advice around and decided, hmmm, these could all be turned into craft essays.  But then I thought, good grief, like I don't have enough to do already!  So I maybe when I write a bit I like or feel strongly about, I'll just put it here since I don't really do much with my blog anyway.  I invited anyone who wants to comment to do so! 

At  EDF's Roundtable

Raymond Daley
 
How do you deal with a story you don't have an end for? Do you keep it in the hope you'll think of one in the near future or do you abandon it?I've got so much stuff I've started with great ideas that just ran out of steam or eventually turned out not to have legs to stand alone.It's depressing. It's enough to put a writer off writing.
Thoughts? Suggestions?

What I said: 
Set aside, don't abandon, because although not every story ends up being something that you care about, most of them can be "saved."  They are saved when they are set aside for a period of time (an hour, a day, an month) and reread as if written by someone else.  They can be saved by asking specific questions such as what does my character want? what does he fear? what stands in her way? what do I want her to learn?  They can be saved by research.  Google the setting, find key words and look up synonyms. go to wikipedia and check out personality types.  

Go here to find out what others have said:  EDF's Roundtable

AtFlash Fiction Chronicles New and Emerging Writers Group

I seem to be a kind of binge writer. I can go for long periods of time, days, months, a year, and write every spare second I have. Right now I don’t seem to be writing very much.

What I said:
A friend of mine called me a binge writer and in some ways that's true. Really though I'm at my computer every day for the most part. The thing is I always have several things going at the same time and so my output is somewhat erratic. I've also had a terrible habit of sending things out too soon and I'm trying to curb that impulse. Usually I will be working on all these different things and then I'll get pissed off at one of them because I haven't been able to get it right and I'll say, okay, I don't care if it's shit or not I'm going to finish this sucker today and that's when I make the most progress, But it's never done. Nothing for me is ever done. Every one of my stories for my chapbook has been rewritten to some degree or another. 

Go here to find out what others have said: Flash Fiction Chronicles New and Emerging Writers Group

Wednesday, June 12, 2013

StoryADay Worth Every Minute

It's taken me almost two weeks to get back around to The StoryADay challenge, but here I am.  As can be seen in my previous post, I managed to keep up--more or less--the first couple weeks, and very pleased that I kept to that commitment.  The second half was tougher for various reasons.  Once I got behind, I struggled to get caught up.  After doing several random prompts, I began to feel stressed about them.  They prompted me to write fast and to get words on paper, but what words?  At some point I began to feel as if any more new "starts" were unnecessary and I needed to go back and start searching for meaning in the ones I had.  

Here's how I finished up:

May 19 Heroine (502)
May 20 Julian Meets Liv (605)
May 21 Wheel of Fortune (704)
May 22 Notes on comfort Zones (760)
May 23 Trap (416)
May 24 Research and rumination on Comfort Zones (500 words)
May 25-28 Worked on Comfort Zones

I'm still working on "Comfort Zones!"  Cannot get it right.  Tried to take bits of it for the Flash Mob 2013 Extravaganza that is going on, but couldn't get it shaped into anything.  Nice descriptions but what did it mean???  So I started the month off terrific but petered out toward the end.  Not disappointed thought because I have two strong stories to work on that I know I can get into shape and there are at least three more that I might be able to do something with.  That's success in my book.  So thank you, Julie Duffy at StoryADay for sponsoring this event and thanks to Sue Ann Connaughton who was my "Accountability" partner.  

Tuesday, May 21, 2013

It's Past the Middle of May and I'm Still at It


I meant to write this post on the 15th of May, the half-way point of Story A Day month, but as it seems to be for me these days, I've been running behind.  And I'm still behind, but I'm only a couple of days off.  Here is a list of the work I've done, most of them brand spanking new and a couple of stories I've had in my file to revise.  

May 1 You Don't (100)
May 2 Fish Bowl (856)
May 3 Enid (740)
May 4 Wandering by Bus (500)
May 5 Shing (845)
May 6 Julia Roberts (612)
May 7 Snickerdoodled (385)
May 8 Arsenal (450)
May 9 Mono Lake (450)
Mono LakeMay 10 PS serial chap 1 (390)
May 11 PS serial chap 2 (405)
May 12 Folderol (855)
May 13 New Life PS serial chap x  (732)
May 14 Lost in the Woods (1080)
May 15 Blue (244)
May 16 Terminus (788)
May 17 The Cossack Ultimatum  (1536)
May 18  Small Town

Wednesday, May 01, 2013

A Story a Day??? Can I do it?

Story A Day homepageIt's May--Short Story Month--and all kinds of fun stuff is happening.  For example, Julie Duffy over at StoryADay.org has thrown down the gauntlet.  I've decided to take the challenge though right from the get-go I'm thinking "Say What??"  Don't know exactly how I'm going to keep track.  Can't pub the stories here if I want to develop them to submit, but hoping I can at least track the experience.  If for no one else, at least for myself!!

Also it's time for FFC's Short Story Month List of Links to great online stories and it's up to you out there in the ether to make the suggestions.  Here's the scoop.


Every year, Flash Fiction Chronicles has honored May as Short Story Month by logo for short story month 3asking readers to supply their favorite short story links.  We have asked for 100 links to excellent online stories in the past.  This year I’m hoping we can reach 150!  This sets all of us up with many many great pieces to read during the course of 2013-2014.  This is a loose, fun endeavor.  No prizes and not too many rules.
WHO: You may suggest any short story that can be found online except your own.  You can suggest up to ten favorites.  However, please do not use this opportunity to promote your own work.
WHAT: What we want are YOUR favorites beyond your own.  What stories have made you gasp, smile, laugh, cry, and/or say “I wish I’d written that!”  Short stories can be any length under, say, 10,000 words.  Suggest dribble, drabble, micro, flash, short short, short, you get the idea.
WHEN: May 1 through May 31, 2013.
WHERE: Two places where you can make your suggestions: here at FFC on THIS PAGE in the comments section and at Facebook in our new FFC Short Story Month Group (https://www.facebook.com/groups/487327604669717/).  Please do not email suggestions to me or to FFC.
WHY: It’s short story month!
HOW: Using this page in the comment section or the new FFC Short Story Month Group at Facebook, include in this order: the story title, the author, the venue including direct link to the story, and your name.  It should look something like this:
While You Were Away” by Tara Laskowski in matchbook suggested by Gay Degani: http://www.matchbooklitmag.com/laskowski.html

Tuesday, April 09, 2013

I Dared Myself to Write a Story on Line!


Reprinted from FFC archives June 1, 2009

My favorite part of Malcolm Gladwell's book Outliers is his theory that it takes 10,000 hours to become an expert.  I feel validation for one of my long-held beliefs: writing--good writing--is all about the seat of the pants in the seat of the chair. Mrs. Hawkins, my creative writing teacher in high school, insisted this simple act was the golden ticket to quality. I believed her then; I believe her now.   I just didn’t manage to do it for a long, long time. 

Ron Carlson's book, Ron Carlson Writes a Story, offers another piece of the puzzle: how process, the act of “ just doing,” eventually leads to product. Carlson shows us what he means by letting us sit on his shoulder as he puts together his story. He maintains that working through a story one sentence at a time, putting down what you know about the story rather than worrying about what you don’t, is a viable path.

When a friend shared with me that she's decided the best way for her to work is to sit down and "let it  happen,"  it resonated. This is exactly what Carlson does. He says "process" is the key, finding your own way to get words on the page.   Here's the way I do it.

1. I type or hand write everything I know about the idea that’s been growing in my head.  

Are characters clear, defined, and have their own problems and attitudes? Are they in opposition with each other? Do they fulfill a purpose in the story? What is each one's purpose?  
Does the sequence of events set up an inevitable, yet unexpected ending? Are there set-ups and pay-offs throughout the story? Are the transitions from scene to scene clear? Does the plot support the emerging theme in the best way it can? 
Is the setting defined or purposefully undefined? Can the reader SEE what's going on, like it's up on the big screen? How do time and place contribute to theme? 
Does this story have the ability to resonate with the reader on both a personal and universal level? Is it compelling? Have all the other elements been put into service to enhance and clarify the theme? 
Have all the clichés and borrowed images been purged to the best of my ability? Do the sentences act as real sentences? (Tell the reader something specific) Have I said things twice that don't need to be said? Have I pared away all useless language? Changed most of the general words like "it" to meaningful, concrete nouns that clarify and enhance?
Whether I've become one of Malcolm's experts is highly debatable, but this I can say for sure: 20+ years of writing practice has enriched my life beyond measure. Striving to be good at something is its own reward.
I do whatever part of “getting it down” feels right as a first step, whether it's a full-to-the-end draft, notes, outline, or brainstorm. This varies with the trigger, the dawning of an concept in my brain, what it is: a title, a plot, a character, an incident, a theme.
2. Whatever I end up with, plot, free-writing, or notes, I work from there.
If it's mostly a plot, I make an informal outline, filling in the blanks, the who-what-when-where-how-why of each scene in the outline. I remind myself that scenes, scene-sequences, chapters, parts, the whole story, should have answers to first five questions somewhere in the text. I try to identify the possible theme, the “why,” but often I have no idea.If, instead of coming up with a loose sequence of events resembling an outline, I've sat down, told myself to “go,” and put together a draft based on what pops into my head, I search for what my subconscious is telling me, look for possible scenes-segments-acts, and ask myself what scenes have I missed, what might be the theme given what I have typed out in front of me, what the spine might be etc. I also consider the order I've placed these scenes in. Does it make sense? 
If I've come up with notes and brainstorming, and this is my most common way of proceeding, I write a quick draft. Sometimes I do a little research about the "where" or the "what" before I write that first draft, but often I just go.
3. If the story's got something compelling about it, all the above converges, in the first, second, or third draft, I find myself with a decent working draft. Then it's time for me to do some kind of analysis. These are the things I look at:
Character
Plot
Time and place
Theme
Language
4. I rewrite.
At this point, I look for intelligent, kind, but honest readers to find flaws and re-enforce the story's strong qualities. I want them to tell me what works and what doesn’t work. 
I let the comments of others guide me in decisions, but I've learned to trust the little voice in my head. My purpose often trumps someone else’s take on the story.
I read the story aloud, have a friend proof-read it, and proofread it myself.
7. I submit it to, hopefully, the right markets.

8. Then I start a new story.

As an experiment, I am currently writing a story online at my Words in Place Blog.  I started last week, making myself get the seat of my sweatpants into the seat of my chair every day.  Check out my progress beginning with May 27th "Dare Ya!"
Here's the line up from first draft from one of my writing prompts posted above on EDF's Flash Fiction blog under "Writing Prompt." 
Dare Ya!
Dare Ya Two!
Second Day, Third Fly-Thru
Second Day, Fourth Look
Third Day, Is this ever going to turn into anything?
Third Day, Another run-What does the structure look like?
About the old guy coming through the door
So I today I've got to keep going... I'm working toward my 10,000 hours and don't have a minute to lose.  Check over there later if you aren't bored to tears!


Tuesday, April 02, 2013

Talent and Skill: Do you have it or not?


From the FFC archives, reprint from May 15, 2009

I am not a patient person. Never have been. And when in the past (a rolling, long-ago past) I couldn't master something immediately, I assumed I had no talent and no skills and I gave up.

No talent. No skills.

These are two distinct attributes. Having talent is terrific and it certainly makes following your passion rewarding, but talent is only half the formula.

Having skill is absolutely necessary (watch American Idol if you don't believe me). But getting these skills isn't an immediate process. And if you're talking about becoming an expert at anything, you're talking YEARS of practice. That's where patience comes in.

Robert McKee (the writing coach whose book STORY is an excellent resource) said that all we can do is to "take out our little bit of talent," push it around every day, apply our hard-earned skills and hopefully, that will result in something worthwhile. I'm sure I don't have that quote exactly right, but you get the gist. It takes both talent and skill to become good at anything and skill takes patience.

Last night when I went to bed I was miserable. Things at the end of my current work-in-progress were not working out. The whole thing felt stupid and, heaven forbid, CORNY. In the old days, I would have felt doomed. I would have thought of quitting. I would believe to the depths of my being that my writing sucked. And I sucked.

But this morning, I remembered I have developed a skill-set to help me solve the problems in my story. 

Hmmmm. Imagine that!

I read about two or three pages in the middle, did a little editing, and suddenly I knew how to solve the story problem at the end. My mind was asking questions that only an "expert" would know to ask.

I moved away from the computer and started to scribble notes of what exactly had to happen for the whole story to make sense. I was so shocked at how easy it was, I started doubting it would work. But in typing the notes, I’m sure it does work. And it isn't corny. Maybe a little corny, but I still have time to fix that. Wow, it's working!!!

I'm not saying here that what I do is brilliant or even interesting to anyone else. But it is to me. To see that I will allow myself to make mistakes, to go on tangents, to think I suck, and then get back to work. To take out my "little bit of talent" and my years of practice, and actually be able to have answers, know what comes next, delight myself with a surprising ending, that for me, is success. And when I discover the NEXT problem, I will have skills to solve that too.

This idea of having patience--and I suppose, FAITH IN THE WRITING PROCESS--is a gift to me. A gift I've given myself over the years by focusing on learning the skills I need to do what I want, and letting my little bit of talent take care of itself.

Tuesday, March 26, 2013

Now that I've retired from FFC

Yes, I've officially retired from Flash Fiction Chronicles which I helped to found back in 2009--March 22 as a matter of fact--with the help and encouragement of Every Day Fiction whose editors, Jordan Lapp, Camille Gooderham Campbell, and Steven Smethurst, wanted to create a place for EDF writers to discuss the craft of Flash Fiction. I volunteered to "co-ordinate."  Sarah Hilary contributed our very first article, "Historical Flash--(Re)living the Moment."

What I quickly learned, however, was that most fiction writers want to write fiction, not essays on how to create compelling characters with a phrase or two.  I was thrilled to discover that once asked, writers are more than happy to share their expertise.  I would list all our contributors here, but after four years and an average of four articles a week, there are way too many, and I'm afraid I'll leave someone out.  You can go HERE to find them. 


In April, 2009, I tried to define what I thought Flash Fiction could be.

From Flash Fiction Chronicles, April 9, 2009

In her essay in The Best of Every Day Fiction, editor extraordinaire and slush mistress Camille Gooderham Campbell writes, "Despite its appeal as a quick read, flash fiction is not simplistic. Quite the opposite; it can and should be one of the most demanding literary forms, with a need for perfectly crafted prose, a complete story arc in a tight space, and an immediately engaging hook."

As I read submissions in the slush pile at Every Day Fiction, I realize that many writers do not have an understand of what flash fiction is. Camille's definition is a great place to start.
Gay Degani is the editor of  Every Day Fiction's new blog, Flash Fiction Chronicles.  



BUT FIRST, WHAT FLASH ISN’T

Flash is not some accidentally thrown together words that seem to flow through a writer's fingers without much thought. Yes, it's true that some writers are skilled enough, and/or gifted enough to not have to edit very much, maybe even just proofread, but believe me, that's not me and I'd take any bet that that isn't most of you out there.
  • Flash is not a prose poem. * 
  • It’s not a vengeful spew about killing someone without developing character and complexity.
  • It’s not an extended paragraph used to set up a punch line.
  • It’s not an anecdote-slice-of-life-guess-what-happened-when-I walked-out-to-get-the-newspaper-the-sun-was-blinding-and-I-tripped.
  • It’s not an article, sermon, op-ed piece.
  • It’s not an obituary-like report on someone’s life.


SO WHAT IS FLASH?

Good flash is governed by the same reader expectation as any other fiction writing. Check Aristotle. Check Robert McKee. Check Chris Vogler. Heck, go read the bliss man, Joseph Campbell. Readers expect certain things and Camille tells you what they are: a hook, a story arc, and strong prose.

I want to add on more thing, good flash like all good writing should have some point to make, a reason for being that somehow, in small or large way, reveals a universal truth, a moment that brings to the reader a smile, a laugh, a tear, a "Yep, ain't that just the way life is."

So when thinking about writing flash, it would be helpful to keep in mind some of the words and phrases that should apply to any piece of flash:
  • surprising, fresh, original, intriguing, new
  • compelling content, unique situation, interesting choices made by characters  
  • anchored by time and place 
  • has conflict, has tension, active protagonist, action not activity, complexity not complication, delivers an ending that is unexpected but inevitable
  • precise language, clear distinct voice, specific detail

Words you don’t want associated with your flash:
bland, mundane, vague, trite, dashed off, trickery, passive, predictable, nothing happens, no sense of place, unclear, not cohesive.


* I may or may not agree with this any more